The preferred attack action, by far, is Chain Smash: it does the most damage and can knock an enemy unconscious. The ogre chain brute is for area control, and its handlers have to be careful, because when it starts whirling its chain around, every creature within 10 feet of it has a chance of getting smacked. If it fails, it forgets its job, drops its weapon, Dashes at the enemy and starts pummeling him or her. If a single, unaccompanied enemy happens to come within the ogre bolt launcher’s sight, have it make a Wisdom saving throw. The trouble is, even with its increased Dex, it’s still a brute at heart. The ogre bolt launcher variant can attack with its fists or employ a ranged weapon attack that does impressive damage from an impressive distance. (Curiously, despite the name, this variant appears to be more suited to defense than to offense.) You come at the ogre battering ram, you best not miss. It confers disadvantage on attempts to attack the ogre, but more important, once an enemy creature comes within reach of the ogre, it possesses a Sentinel-like ability to keep that creature from getting away, plus massive bonus damage on its opportunity attacks. Block the Path is a situational action used to lock down chokepoints, forcing opponents to approach within the ogre’s reach to get past it. Bash, a straightforward melee attack that also includes pushback, is the default. The ogre battering ram variant has two actions, Bash and Block the Path. If they have the chance to choose a target-all other things being approximately equal, that is-they’ll try to pick off the smallest and weakest first, or one who’s isolated from his or her companions. Therefore, an ogre will use a javelin only when it has enough movement to get between 10 and 30 feet from an opponent, but no closer.ĭespite being categorized as giants, ogres are basically predatory beasts in a vaguely humanoid shape. Plus, their melee greatclub does more damage than their ranged javelin. But with extraordinary Strength, very high Constitution and subpar Dexterity, ogres are melee fighters by both nature and inclination. Second, they do have both a melee attack and a ranged attack. If it happens outside during the day, it’s because the PCs found the ogre. If an ogre encounter happens at night, it’s because the ogre found the PCs. It doesn’t mean that an ogre won’t fight in daylight, or even that it won’t start a fight in daylight. This means that an ogre will prefer to fight in dim light or darkness. In the stat block of the basic ogre, there are only two details that a dungeon master not accustomed to tactical thinking might overlook (by now, they should be obvious to any regular reader of this blog).įirst, they have 60 feet of darkvision. Thus, it’s the Intelligence of the trainer, not of the ogre, that influences how effectively they’re used. They use their special features only when commanded to. These are semi-domesticated ogres used by other species as trained warbeasts. What you have to remember, though, is that these ogres are never going to appear on their own, nor solely in the company of other ogres. With ogres, at least ordinary ones, it’s all they’re capable of.īut Mordenkainen’s Tome of Foes includes several ogre variants that are, in fact, worth examining. With many monsters, simply throwing them at player characters and having them go “Rrrraaaahhhh, stab stab stab” (or in this case, “bash bash bash”) falls far short of what those monsters are capable of at their best. There’s a reason why I haven’t touched on ogres before now, and that’s that ogres basically have no tactics. Recently, I was asked by a reader to look at ogre tactics.
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Add elementĭefines the products and languages to download or install Example Log files can be found in the %temp% folder. The Logging element is no longer supported as a configuration option for the Office Deployment Tool. When installing Office, no user interface is displayed. Office checks for updates at "\server\share" on your network. Office will be installed using Semi-Annual Enterprise Channel.ĭownloads and installs Microsoft 365 Apps for enterprise.ĭownloads and installs English and Japanese versions of Office. Office will be downloaded to "\\server\share" on your network and deployed using installation files at that location.ĭownloads and installs the 32-bit edition of Office This configuration file includes the most-commonly used elements and attributes, and can be used to download and install Office on a client computer Use the file to modify the XML elements and attributes and use the rest of this article to learn more details about each of the elements and attributes. You can start by copying and pasting the example below into a text file and saving it with a name of your choosing. When creating the configuration file, we recommend starting with an example file and updating it with the appropriate options for your environment. For example, you can edit the configuration file to download the 32-bit English edition of Office, or you can edit the file to install the 32-bit English edition of Office with the EULA automatically accepted and without Publisher. To work with the tool, you edit the configuration file to define what options you want, and then run setup.exe from the command line. The ODT consists of two files: setup.exe and configuration.xml. For more information, see Overview of the Office Customization Tool. With the Office Customization Tool, you can easily create and modify configuration files in a web-based interface. You can continue to create the configuration file in a text editor, but we recommend using the Office Customization Tool instead. Best practice: The options in this article show the XML elements and attributes in the configuration file. The Log Drum, also called Slit Drum, is an idiophone usually carved in wood or constructed in a resonant wooden box. We know it's vital to have the BEST possible sounds for your beats. 33 Brazilian Surdo Drum Muted (C2-B3) 05:46. Happy Reading the Article FL Studio Mobile:How I made a banging log drum from scratchFull Tutorial+Previewing log drum May you find what you are looking for. our instrument is a “vintage” version of log drum fl studio the most common log drum in commerce. 00□] □WATCH THE WHOLE VIDEO YOU WOWNT REGRET□□□□ □Time stamps□ 00:00 - Why aren't u subscribed These links preview low-quality MP3s made from the actual 16-bit 44khz WAV stereo samples. This is a free sample pack filled with soft snares and tons of percussion. 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It’s important to note that the 3G S2 is not a fully standalone device. Go for a long run and try to play music, track your activity, and send or receive a few messages and it might not be alive when you’re done. And, perhaps the biggest issue, the S2’s battery life is deplorably short when it is relying on a cellular connection. You could transfer your music to the watch or stream songs from Samsung’s own Milk Music, but if you use Spotify, Apple Music, or Google Play Music, you’re out of luck. (Samsung has a feature in its Gear Manager smartphone app that should enable this, but it did not work for me when the watch was connected to the 3G network.) The S2 doesn’t have a huge app store, leaving Samsung’s S Health app as the only real fitness tracking option, which doesn’t play nicely with other popular services such as Strava or MapMyFitness. While you can stay on top of text messages and phone calls from the device, it won’t see any of the other notifications pinging your phone when it’s not directly connected. The Gear S2 3G does do all of that, but its capabilities are limited. There are no armbands, belt pouches, or other clumsy apparatus necessary just put the watch on your wrist, tie your shoes, and head out the door. You could leave your phone at home yet still track your run, get your calls or messages, and even listen to music. Those features make it attractive for runners. (The Verizon and T-Mobile versions have call and message forwarding from your main number, but outgoing calls and messages will initiate from a different number.) It also has a GPS chip, so it can find my location without the help of a phone. With the AT&T model, it can even make it look like those calls and messages are coming from my actual phone, thanks to AT&T’s NumberSync feature. It can send and receive text messages even if it’s not tethered over Bluetooth or connected to a Wi-Fi network. It has a speaker and microphone, so you can handle your phone calls Dick Tracy-style. Phone calls, messages, and activity tracking without your phoneįor starters, the 3G S2 can place and receive phone calls without being connected to my phone. The 3G model of the Gear S2, which is available for AT&T, Verizon, and T-Mobile (I’ve been using the AT&T version), is much like the standard model it just happens to have a cellular radio inside that lets it do a few things other smartwatches can’t. I’ve gotten a small taste of this independent future over the past few weeks with the Samsung Gear S2 3G, a cellular-connected version of Samsung’s impressive Gear S2 smartwatch. There are some of these already available, and others are expected to hit shelves in the near future. Eventually, smartwatches (and other wearables) will become independent devices, complete with their own wireless connections. Indeed, many of the complaints about smartwatches revolve around their duplicity: why do I need to wear this device on my wrist that just tells me the same thing the phone in my pocket is already telling me?īut while today’s smartwatches are shackled to a phone, that won’t always be the case. It’s hard to pitch them as must-have devices in your life when you still need your smartphone all the time to use them. Smartwatches are therefore accessories to the main show, your smartphone. They become, in effect, dumbwatches with really poor battery life. If you were to disconnect any of these devices, they become little more than standard timepieces with a little bit of activity tracking. Every smartwatch you’ve likely seen, whether it’s an Apple Watch, an Android Wear device, or a Pebble, has relied on a smartphone for all of its smarts. Like Britney and Justin before them (#neverforget “What It’s Like to Be Me”), together the two are a force. And yet Drake’s OVO Sound radio show got hold of a mysterious duet from the two former flames and premiered it over the weekend. Lauretta Charlton ( Bieber and Selena Gomez, “Strong”Īs exes, Justin Bieber and Selena Gomez are two of the last people you’d expect to hop on a track together. Curl up to this one with some cider and embrace the glory that is autumn. A sludgy, oozing, gooey delight that takes a few cues from Galaxie 500 while also throwing it back to 2010’s Teen Dream. Read our picks below, share yours in the comments, and subscribe to the Vulture 2015 Playlist for a comprehensive guide to the year’s best music. If the song is worthy of your ears and attention, you will find it here. Now, he must figure out how to do it all just a little bit better.Every week, members of the Vulture staff highlight the best new music of 2015. With an album replete with Spanish guitar jams, wide-eyed hip-hop, and psychedelic rock k-holes, there isn't much ground left for Raury to cover. He's got people like Rage Against the Machine's Tom Morello and underground Atlanta rapper Key! on the album to help him. It doesn't feel like he's gotten that much better at what he does, but he seems to be figuring it out. There’s significantly more rapping here than on his last release, and while dextrous rapping isn’t exactly his forte, there are moments where he finds his flow. On the slow-moving "Peace Prevail", which has a tempering rhythm and melting bass, he borrows André 3000's flow to rap about being a rap outlier ("Been by myself since the White T’s/ Been by myself since Dem Franchize Boyz did that dance on that hoe in the white tee") before praying for peace with a chorus of voices at his back. On "Revolution", he pleads for divine intervention over strum-heavy riffs, throbbing 808 bass, hand drums, and vocal chops. Many of the songs call for unity and love with several mentions of an impending Armageddon, and Raury tackles these huge topics with ambitious arrangements. On the opening title track, he sets the tone for his flower child vibes: "Don’t hate, my brother/ God is our friend/ I walked for miles and/ I see no end/ To the hate." The writing is angst-y and centric to a wide-eyed, teenage worldview: chasing girls and soothing parents and saving the Earth. The album is mostly a reprise of his boho hippie rap tunes, wandering in and out of folk territory with lots of stringy acoustic riffs, hedging toward rock with hip-hop spirit, casually blending influences like a Tumblr kid that grew up in a post-Napster world. This one is anchored by its single, "Devil’s Whisper", which puts a slightly darker tint on the hand-clapping-around-the-campfire folk of its predecessor. Raury emerged with a fully formed aesthetic, but his sound, albeit fascinating, still needs time to incubate.įrom start to finish, All We Need scans as Indigo Child Redux with similar pacing and nearly identical tropes. Sometimes, like on the RZA-featuring "CPU", it works well and sometimes, like on Big K.R.I.T.-featuring "Forbidden Knowledge", it completely misses the mark. The wrinkles haven't been ironed out yet his genre-mashing can be scatterbrained and even hollow. Instead, much like Indigo Child, it's merely an exhibition for a young creative still figuring out the true extent of his genius with as many hiccups. It isn't ahead of its time or magnificent in scope. He is literally indie rap, and his debut album, All We Need, searches further for perfect balance.Īll We Need isn't the transcendent Raury project that’s been foreshadowed since he became a blog darling, the one that reconciles genre distinctions and renders them obsolete. The singer-songwriter has a real sense for composition and a knack for ambiguity, and he, like his stylistic forebear André 3000, remains at arm's length from hip-hop, never quite a full-fledged rapper but certainly draped in the tropes of the genre, reaping the benefits of everything cool and useful that comes from identifying with it. Still, it effectively established Raury as this sort of genre migrant who existed adjacent to the rap world without sounding much like it. It was stuffed with big ideas, but it often had trouble wrangling them. That EP was a daring first statement with soulful alternative rock jams supercut with real, recorded fights he had with his mother. Raury made his big debut in 2014 with the folk-leaning EP Indigo Child, which was anchored by its single and centerpiece "God’s Whisper". WDM, KS, MME (8 kHz to 192 kHz) - mono or stereo. 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